Queen’s Roger Taylor releases first single of upcoming solo album. Jeff Beck recalls the funny way he met Led Zeppelin’s Jimmy Page. 10 essential George Harrison solo career songs.We were just busking along more or less to what George was playing.”All of George Harrison’s songs listed on this site are presented chronologically in ten second clips so you can follow along in this video This is the companion video for These-Songs.com. Before he realized it, Voormann was rehearsing a bunch of unheard Harrison songs — one after another, 15 in all, including “What Is Life,” “Awaiting on You All,” and “My Sweet Lord.” “I had no idea how many songs he had,” Voormann says, still marveling. All he knew was that George Harrison was about to start a new project and that Ringo Starr would be drumming. Carlos Santana announces new album that will have Rob Thomas.In 1978, Harrison, newly married to Olivia Arias and the father of a young son, Dhani, returned to the studio to record his eighth solo album, George Harrison, which was released the following year.As Klaus Voormann recalls, the bass player, artist, and friend of the Beatles had no idea what was about to hit him when he arrived at EMI Studios (later known as Abbey Road) one day in late May of 1970.
They had a son, Dhani, in.George Harrison singles chronology. (The title and even the cover — Harrison seated in the garden of his Friar Park home, surrounded by four garden gnomes — could be interpreted as his comment on the end of the Beatles.) Once the CD era kicked in, the album was remastered and reissued several times a 30th-anniversary edition in 2000 included Harrison’s remake of the devotional “My Sweet Lord,” his biggest hit on his own.But around this time Harrison met his second wife Olivia, an assistant in the merchandising department at A&M records. The combination of Harrison’s songs and producer Phil Spector’s reverb-heavy, musicians-army approach to record-making yielded an album that was both stern and stately but also buoyantly melodic. The first, from the initial day with Starr and Voormann, includes all 15 of those tunes played by the trio a second disc consists of Harrison solo demos of another 15 songs, including George-unplugged versions of “Wah-Wah” (his wry commentary on Beatles meetings) and “Beware of Darkness.” The third, which Harrison’s son and the reissue’s executive producer Dhani calls “the party disc,” features alternate takes, unheard jam sessions, and studio chatter from Harrison and the pile-on of musicians — Peter Frampton, Billy Preston, Dave Mason, and Eric Clapton and the other Dominos — who contributed to the album.Equally fascinating, the core All Things Must Pass has been subtly remixed — both to bring added sonic clarity to Spector’s lovingly dense and echo-heavy arrangements and to adhere to Harrison’s own wishes before his death in 2001. In addition to a remix of the original album, the expanded 50th Anniversary Edition (out August 6th) will include three discs of unreleased material. George Harrison - Got My Mind Set On You (Version II) Official Music VideoSubscribe to not miss any updates and videos: for its 50th anniversary year — which started last November — All Things Must Pass will receive its most lavish revisit to date. It was released as the first single from the album and reached number 25 on the American pop charts but. (1977) ' This Song ' is a song by English rock musician George Harrison from his 1976 album Thirty Three & 1/3. (1976) ' Crackerbox Palace '. George Harrn Albums Videos Trial And Error“There are songs like ‘Wah-Wah’ with the vocals burned into the reverb,” says Dhani. Harrison and Hicks also learned that George’s no-reverb wishes were sometimes easier said than realized. “So there’s more low-end, more clarity.”The process proved labor intensive and involved much trial and error: a previous attempt proved to be “too bassy,” says Hicks. “It’s a technique called ultra-remastering, which is trying to give it the maximum separation,” says Dhani. “He said this to me a million times: ‘God, that reverb!’ ” Voormann also recalls Harrison making similar comments to him years later about the multiple overdubs: “I remember him saying, ‘It’s too much,’ ” Voormann says.Spearheaded by engineer Paul Hicks, who recently worked on a John Lennon box and the expanded edition of the Rolling Stones’ Goats Head Soup, the All Things tapes were enhanced by way of a higher-resolution transfer that wasn’t technically possible at the time of previous reissues. “We’re not trying to reinvent the wheel,” he says. “Dhani and I hate the expression ‘de-Spectorizing.’ That’s not the point of this project.”In addition to celebrating the album’s 50th anniversary, Dhani Harrison says one of the goals of tweaking the mix is to make the album more sonically friendly to a new generation. “You want to be respectful of the original,” says Hicks. There’s only a certain amount you can do with the limits of taste.” Of “Apple Scruffs,” the acoustic, Dylan-esque tribute to Beatle fans, Hicks says, “If you take out the delay, it sounds like a demo.” That song’s original mix, along with the slap echo on “Hear Me Lord,” were preserved.Yet after a few go-rounds, the Harrison team found the right balance: In the new makeover, Harrison’s voice is often more upfront, and individual instruments are more easily heard in the musical stampede. This album now sounds like it was just recorded yesterday.”In this case, of course, yesterday was 51 years ago, and by every indication, Harrison was prepped and ready for his formal debut (following the instrumental soundtrack album Wonderwall Music and the experimental synth effort Electronic Sound). Now it will be easier to sit down and listen to it. These mixes will give this album so much more longevity with a younger generation. The original mixes sound flimsy on a playlist. He was ready.”“It was very emotional,” Dhani Harrison says of revisiting his father’s 1970 classic ‘All Things Must Pass’ for its 50th-anniversary reissue.Despite Spector’s reputation as a mercurial producer, Harrison had approved of his post-production work on the Beatles’ Let It Be and recruited Spector to oversee the album. He wasn’t walking in to show a producer what he was doing. When it was time to jump into action, he knew exactly what he was doing. “He had thought about this for a long time and he’d been patient in the Beatles and patient as a person. He’d stop a musician and question what someone was playing: ‘You’ve changed the notes on the piano.’ But everyone respected him, and George had the final say.” Adds Voormann, “Everyone says Phil was crazy, but he wasn’t crazy at all. “Phil told people what to play and arranged what was going on. “There were no drinks or drugs or guns,” says Leckie. Spector had his own requirements, as engineer John Leckie, then a 20-year-old tape operator, recalls: “I can remember the lights being early low, the music was really loud, and the air conditioner was on high,” due to Spector’s interest in the studio being as chilly as possible.Clapton would later describe the sessions as seemingly “hundreds of musicians in the studio, all hammering away like mad.” But there was a method to Spector’s madness. Devotees of the Hare Krishna movement, of which Harrison was a part, would visit the studio, bringing vegetarian food (and even tending to Harrison’s garden at his Friar Park estate outside London).When Spector arrived from Los Angeles, work fully got underway. As Voormann recalls, Harrison would light candles and set up a small altar to make the studio as inviting as possible for all involved. Demon the fallen wikiWe went straight into the studio. “We didn’t do any of that. “Normally you would have rehearsals in the studio,” Voormann adds. Whenever I played something, I would say, ‘Is this OK?’ and he’d say, ‘Yeah, you’re fine, you’re fine.’ ”Musicians regularly rotated: Voormann would sometimes find himself playing with drummer Jim Gordon, sometimes with Starr, other times with both Preston and Spooky Tooth keyboardist (and later solo star) Gary Wright, both on keyboards. He was listening close to what people were playing. “It was a really nice experience making that album — because I was really a bit paranoid, musically,” Harrison said in 1976. But then he started liking it.”For Harrison, who was still finding his voice, literally and figuratively, the process served to boost his self-confidence, especially after years of having some of his Beatles contributions rejected. It was not the way he wanted the direction of the album to go. It sounds like glass in one way and really hard in another.’ And George didn’t like it. “I thought, ‘This is incredible what Phil did. “When we did ‘Wah-Wah,’ one of the first songs we recorded, I was knocked out,” he says. “He wanted to be Elvis and then he wanted to be Krishna — he was just crazy,” he recalls. It was probably an immense relief to him to get this out there.”A less celebratory moment, Voormann recalls, came when “some crazy guy in white clothes” suddenly appeared at EMI. “We all knew he had a lot of these songs around for a while and was trying to introduce them into the world. “I had a lot of laughs with Phil and a lot of good times. “He was like a giant person inside this frail, little body,” Harrison later said. It’s like John getting shot, all those crazy people all over the place.” Voormann recalls that Mal Evans, the Beatles’ trusted confidante, threw the loon out.As the sessions dragged on for months, and Harrison fixated on countless guitar and vocal overdubs, Spector grew bored and unhappy, leading him to indulge in drinking at one point, he fell, and Voormann recalls seeing the producer with a cast on his arm.
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